When asked for advice on painting, Claude Monet told people not to fear mistakes. The discipline of art requires constant experimentation, wherein errors are harbingers of original ideas because they introduce new directions for expression. The mistake is outside the intended course of action, and it may present something that we never saw before, something unexpected and contradictory, something that may be put to use.

5 timeless insights on overcoming fear in the creative process (via curiositycounts)

In Holland, we have two words for design. One is vormgeving; in German formgeben. And the other word is ontwerpen; in German entwurf. In the Anglo-Saxon language there’s only one word for design, which is design. That is something you should work out. Vormgeving is more to make things look nice. So for instance, packaging for a perfume or for chocolate in order to make things fashionable, obsolete and therefore bad for society because we don’t really need it. While ontwerpe means, and the Anglo-saxon word, but its stronger, means engineering. That means you as a person try to invent a new thing—which is intelligent, which is clever, and which will have a long-life. And that’s called stylistic durability. It means you can use it for a long time.

Gert Dumbar (via banquethall)

everlane:

Our sentiments exactly.

everlane:

Our sentiments exactly.

Don’t I know it.
(via Looks like good Designer Cards by Ross Moody)
Zoom Info
  • Camera
  • ISO
  • Aperture
  • Exposure
  • Focal Length
  • Canon EOS DIGITAL REBEL
  • 400
  • f/5.6
  • 1/60th
  • 51mm

Don’t I know it.

(via Looks like good Designer Cards by Ross Moody)

We are moving from the culture of the book to the culture of booking. Our focus is no longer on the book, the noun, but on booking, the verb — on that continuous process of thinking, writing, editing, writing, sharing, editing, screening, writing, screening, sharing, thinking, writing — and so on that incidentally throws off books.

The Technium: Post-Artifact Booking